围起当代艺术博物馆》是于上海当代艺术博物馆外公共空间举办的群展。
"Encircling the Power Station of Art" is a group exhibition held in the public space outside the Power Station of Art in Shanghai.
展览时间：2020.05.23-撤展时间不定
展览地点：上海当代艺术博物馆外公共空间
展览海报
对于美术馆空间与周围空间的关系早有讨论。Michael Asher于1970年的作品中，曾将美术馆的馆门拆除，以户外的声音及光线作为展览内容。但这一过程仍带着浓厚的西方形而上学色彩；其主体观念是作为抽象实体的“美术馆空间”和“非美术馆空间”。
在《围起当代艺术博物馆》中，这些形而上学式陈词滥调就此退场，取而代之的是社会学式的质问：将对“美术馆-非美术馆”概念上的分析改换成在具体社会背景下美术馆所在的具体情境、其社会学式的辐射范围。美术馆成为了三维时空中对某一社会行为的符号暗示；具体的社会学式的“美术馆空间”——“上海当代艺术博物馆”是展览物理及概念上的后景。
可以这样理解：本展览在传统的“美术馆空间”、“非美术馆空间”二元论批判内设立了“次美术馆空间”；这一在“次美术馆空间”举办的展览，是在特殊世界背景下对固有展览形式的反思。
The relationship between space of art museum and its surrounding space has long been discussed. In a 1970 work by Michael Asher, the entrance of the gallery was removed and outdoor sound and light were used as exhibition content. However, this process still had a strong color of western metaphysics. Its main concept is "art museum space" and "non-art museum space" as abstract entities.
In "Encircling Power Station of Art", these metaphysical cliches are repelled and replaced by sociological questioning: the conceptual analysis of "art museum-non-art museum" is changed to the specific situation where the art museum is located and its sociological radiation range under the specific social background. The art museum has become a symbolic hint of a certain social behavior in three-dimensional space and time. A concrete sociological "Art Museum Space"-"Power Station of Art" is the physical and conceptual background of the exhibition.
It can be understood as follows: 1. This exhibition set up "sub-art museum space" within the traditional dualist criticism of "art museum space" and "non-art museum space"; 2. This exhibition held in the "Sub-Art Museum Space" is a reflection on the inherent exhibition form under the special world background.
参展人及其作品
陈与安
-，120cm x 200cm，覆膜的亚克力板，2020
展览现场
黄义宏
绿·网，100×50×50CM，支架，照片，手机。展览现场
李旻旭
未降之雨，59.4cm x 84.1cm，纸上喷墨打印，2020
展览现场
刘思宇
纪念碑（其一）12小时游戏，尺寸可变，数字建模，2020
展览现场
美术馆，尺寸可变，数字建模，2020
展览现场
李阅凡
盖章，7x7cm，行为、橡胶，2020
展览现场
小卡片，尺寸可变，行为、硬卡纸，2020
展览现场
李知航
傍晚六点五⼗五分的疑问，100cm x 100cm，不锈钢、喷漆，2020
展览现场
孙乐涛
⾃由，150cm x 100cm, 塑料、棉线，2020，展览现场
孙其乐
Awaken our sense ，亚克力、醋酸钠过饱和物，70cm x 50cm，2020
展览现场
唐乾胜
绘画！，约750cm x 25cm，经打磨后的沥青路面，2020
苍蝇、亚克⼒ ，1.5cm x 1.5cm x 1.5cm ，苍蝇、亚克力，2020
张珂
无题，30cm x 20cm, 综合材料，2020
展览现场
